{"id":21489,"date":"2024-06-11T18:52:48","date_gmt":"2024-06-11T15:52:48","guid":{"rendered":"https:\/\/www.oanagrecea.ro\/asemanari-si-deosebiri-intre-scrierile-si-viata-elenei-ferrante-atat-cat-reflecta-opera-sa\/"},"modified":"2026-08-07T13:17:28","modified_gmt":"2026-08-07T10:17:28","slug":"asemanari-si-deosebiri-intre-scrierile-si-viata-elenei-ferrante-atat-cat-reflecta-opera-sa","status":"publish","type":"post","link":"https:\/\/www.oanagrecea.ro\/en\/asemanari-si-deosebiri-intre-scrierile-si-viata-elenei-ferrante-atat-cat-reflecta-opera-sa\/","title":{"rendered":"Asem\u0103n\u0103ri \u0219i deosebiri \u00eentre scrierile \u0219i via\u021ba Elenei Ferrante, at\u00e2t c\u00e2t reflect\u0103 opera sa"},"content":{"rendered":"<p>Dup\u0103 citirea c\u0103r\u021bii de coresponden\u021be \u201dliterare\u201d- \u201d<a href=\"http:\/\/pandoram.ro\/carte\/Frantumaglia_Viata_si_scrisul_meu\/2510\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Frantumaglia \u2013 Via\u021ba \u0219i scrisul meu<\/strong><\/a>\u201d, editura Pandora M, Elena Ferante este \u00eenc\u0103 o necunoscut\u0103 pentru cititorii s\u0103i. De\u0219i dezv\u0103luie c\u00e2te ceva despre ea, nu spune tot. Este un autor care dore\u0219te s\u0103 aib\u0103 succes datorit\u0103 c\u0103r\u021bilor sale \u0219i nu datorit\u0103 personalit\u0103\u021bii sale.<\/p>\n<p>Am aflat despre ea, printre r\u00e2ndurile r\u0103spunsurilor la interviuri, c\u0103: a locuit c\u00e2ndva \u00een Grecia, nu mai locuie\u0219te \u00een Napoli, are dou\u0103 fete, mai face \u0219i alte lucruri pe l\u00e2ng\u0103 scris \u2013 traduce, pred\u0103, provine din Napoli dintr-o familie s\u0103rac\u0103 (\u201d<em>nu m-am n\u0103scut \u0219i nu am crescut \u00een bun\u0103stare<\/em>\u201d), exact ca eroina\/ eroinele ei din Tetralogia Napolitan\u0103 \u0219i c\u0103 nu vrea s\u0103 apar\u0103 public (r\u0103spunsul nuan\u021bat \u00eel g\u0103si\u021bi mai jos), pentru c\u0103 crede \u201d<em>c\u0103 azi e o gre\u0219eal\u0103 s\u0103 la\u0219i ca propria persoan\u0103 s\u0103 devin\u0103 mai cunoscut\u0103 dec\u00e2t propria oper\u0103<\/em>\u201d.<\/p>\n<p><!--more--><\/p>\n<p>Ce linie comun\u0103 au \u00eens\u0103 scrierile ei, acum dup\u0103 ce am citit \u201d<strong><em>I<a href=\"http:\/\/pandoram.ro\/carte\/Iubire_amara\/2461\/\" target=\"_blank\" rel=\"noopener noreferrer\">ubire amar\u0103<\/a><\/em><\/strong>\u201d (roman de debut, publicat \u00een 1992), \u201d<strong><a href=\"https:\/\/gandurisibucatareala.ro\/zilele-abandonului-de-elena-ferrante\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Zilele abandonului<\/em><\/a>\u201d<\/strong> (al doilea roman al ei, tip\u0103rit \u00een 2002), <a href=\"http:\/\/pandoram.ro\/carte\/Pachet_Tetralogia_Napolitana\/2390\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tetralogia Napolitan\u0103<\/a>&nbsp;(\u201d<em>Prietena mea genial\u0103<\/em>\u201d (vol I &#8211; despre violen\u021ba familiei \u0219i a societ\u0103\u021bii), \u201d<em>Povestea noului nume<\/em>\u201d (vol. II), \u201d<em>Cei care pleac\u0103 \u0219i cei care r\u0103m\u00e2n<\/em>\u201d (vol III) \u0219i \u201d<em>Povestea feti\u021bei pierdute<\/em>\u201d (vol IV) \u2013 c\u0103r\u021bi ap\u0103rute la <a href=\"http:\/\/pandoram.ro\/carte\/elena-ferrante-pachet-tetralogia-napolitana\/2390\/\" target=\"_blank\" rel=\"noopener noreferrer\">editura Pandora<\/a>), \u201d<a href=\"https:\/\/gandurisibucatareala.ro\/fiica-ascunsa-de-elena-ferrante\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Fiica ascuns\u0103<\/em><\/a>\u201d \u0219i \u201d<a href=\"http:\/\/pandoram.ro\/carte\/Frantumaglia_Viata_si_scrisul_meu\/2510\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Frantumaglia<\/em><\/a>\u201d? \u00cen majoritatea dintre ele personajul feminin scrie sau cocheteaz\u0103 cu scrisul, personajul feminin provine dintr-o familie s\u0103rac\u0103, este divor\u021bat\u0103, are doi copii. \u00cen \u201d<a href=\"https:\/\/gandurisibucatareala.ro\/zilele-abandonului-de-elena-ferrante\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Zilele abandonului<\/em><\/a>\u201d se lupt\u0103 cu acceptarea faptului c\u0103 so\u021bul a p\u0103r\u0103sit-o, \u00een \u201d<a href=\"https:\/\/gandurisibucatareala.ro\/fiica-ascunsa-de-elena-ferrante\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Fiica ascuns\u0103<\/em><\/a>\u201d se poate g\u00e2ndi la ea dup\u0103 ce fiicele s-au mutat cu tat\u0103l lor (un element care poate fi adev\u0103rat, pentru c\u0103 spune c\u0103, atunci c\u00e2nd a fost c\u0103s\u0103torit\u0103 cu acest b\u0103rbat c\u0103l\u0103toreau mult chiar \u0219i \u00een afara \u021b\u0103rii).<\/p>\n<p><a href=\"https:\/\/www.oanagrecea.ro\/wp-content\/uploads\/2022\/09\/F7B90E49-EB5F-4FA3-9CB8-AD8522CB36B1-scaled.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-medium wp-image-8343\" src=\"https:\/\/www.oanagrecea.ro\/wp-content\/uploads\/2022\/09\/F7B90E49-EB5F-4FA3-9CB8-AD8522CB36B1-scaled.jpg\" alt=\"\" width=\"300\" height=\"169\"><\/a>&nbsp; &nbsp; &nbsp;&nbsp;<a href=\"https:\/\/www.oanagrecea.ro\/wp-content\/uploads\/2022\/09\/IMG_9710-scaled.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-8344\" src=\"https:\/\/www.oanagrecea.ro\/wp-content\/uploads\/2022\/09\/IMG_9710-scaled.jpg\" alt=\"\" width=\"300\" height=\"200\"><\/a>&nbsp; &nbsp; &nbsp;&nbsp;<a href=\"https:\/\/www.oanagrecea.ro\/wp-content\/uploads\/2022\/09\/IMG-6566-scaled.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-8345\" src=\"https:\/\/www.oanagrecea.ro\/wp-content\/uploads\/2022\/09\/IMG-6566-scaled.jpg\" alt=\"\" width=\"300\" height=\"225\"><\/a><\/p>\n<p>Dar Elena Ferrante are convingeri ferme, spune c\u0103 \u0219i-a dorit s\u0103 sparg\u0103 tiparele conform c\u0103rora doar b\u0103rba\u021bii pot scrie bine, de unde \u0219i limbajul direct pe alocuri al unor scene din c\u0103r\u021bi (spre exemplu cred c\u0103 scenele de sex\/dragoste sunt povestite a\u0219a cum ar face-o un b\u0103rbat). Admite \u00eens\u0103 c\u0103 este femeie \u0219i o confirm\u0103 spun\u00e2nd asta \u2013 \u201d<em>cred c\u0103 b\u0103rba\u021bii pe care \u00eei alegem spun, ca multe alte alegeri importante, ce fel de femei suntem, ce fel de femei devenim<\/em>\u201d. Este con\u0219tient\u0103 \u0219i consider\u0103 o problem\u0103 grav\u0103 faptul c\u0103, \u201d\u00een societ\u0103\u021bi fals egalitare ca ale noastre, se irose\u0219te foarte mult\u0103 inteligen\u021b\u0103, mai ales feminin\u0103\u201d. Spune c\u0103, femeile, \u0219i c\u00e2nd \u00ee\u0219i aleg so\u021bul baz\u00e2ndu-se pe modelul patern, \u201d<em>repet\u0103 totu\u0219i, \u00een privin\u021ba lui, \u00een timpul c\u0103sniciei, rela\u021bia lor proast\u0103 cu mama<\/em>\u201d.<\/p>\n<p>Mai spune despre ea c\u0103 nu este o cititoare con\u0219tiincioas\u0103, cu o memorie bun\u0103: \u201d<em>Citesc foarte mult, dar dezordonat, \u0219i uit ce citesc. Mai bine spus, p\u0103strez o amintire distorsionat\u0103<\/em>\u201d.<\/p>\n<p>Ascult\u0103 \u00eentodeauna, cu mult\u0103 curiozitate, \u201d<em>oamenii care vorbesc despre c\u0103r\u021bi pe care le iubesc. Simt c\u0103 discut\u0103, tocmai, despre ni\u0219te c\u0103r\u021bi ale nim\u0103nui<\/em>\u201d.<\/p>\n<p>Concluzia cu care vreau s\u0103 r\u0103m\u00e2ne\u021bi de la Ferrante este c\u0103 vrea s\u0103 p\u0103streze libertatea de a sonda, \u00een profunzime, f\u0103r\u0103 autocenzuri, \u00een pove\u0219tile sale.<\/p>\n<h3>De ce nu apare public Elena Ferrante?<\/h3>\n<ul>\n<li>A scrie \u0219tiind c\u0103 nu trebuie s\u0103 apar public \u00eemi ofer\u0103 un spa\u021biu de libertate creativ\u0103 absolut\u0103.<\/li>\n<li>Consider c\u0103 e o gre\u0219eal\u0103, azi, s\u0103 nu aperi opera garant\u00e2ndu-i un spa\u021biu autonom, departe de logica mass-mediei \u0219i de a pie\u021bei editoriale. Mica mea b\u0103t\u0103lie cultural\u0103 se adreseaz\u0103 mai ales cititorilor. <strong>Cred c\u0103 autorul trebuie c\u0103utat nu \u00een persoana fizic\u0103 a scriitorului, nu \u00een via\u021ba lui privat\u0103, ci \u00een c\u0103r\u021bile care-i poart\u0103 semn\u0103tura. <\/strong><\/li>\n<li>Cred c\u0103 azi e o gre\u0219eal\u0103 s\u0103 la\u0219i ca propria persoan\u0103 s\u0103 devin\u0103 mai cunoscut\u0103 dec\u00e2t propria oper\u0103.<\/li>\n<li>C\u0103r\u021bile, odat\u0103 ce au fost scrise, nu mai au deloc nevoie de autorii lor. Dac\u0103 au ceva de povestit, mai devreme sau mai t\u00e2rziu o s\u0103-\u0219i g\u0103seasc\u0103 cititorii, dac\u0103 nu, nu..<\/li>\n<li>Miracolele adev\u0103rate sunt acelea despre care nimeni nu o s\u0103 \u0219tie niciodat\u0103 cine le-a f\u0103cut.<\/li>\n<li>\u00cen jocurile pentru ziare ajungi \u00eentotdeauna s\u0103 min\u021bi \u0219i la r\u0103d\u0103cina minciunii st\u0103 necesitatea de a te oferi publicului \u00een forma cea mai bun\u0103, cu g\u00e2nduri adecvate rolului, cu machiajul despre care ne imagin\u0103m c\u0103 e potrivit.<\/li>\n<li>Cine scrie caut\u0103, \u00eent\u00e2i de toate, o form\u0103 pentru lumea lui. Este vorba, bine\u00een\u021beles, de o lume interioar\u0103, deci privat\u0103. A publica o carte \u00eenseamn\u0103 s\u0103 hot\u0103r\u0103\u0219ti s\u0103 le oferi celorlal\u021bi, \u00een forma care \u021bi se pare cea mai adecvat\u0103, ceea ce-\u021bi apar\u021bine \u00een mod intim.<\/li>\n<li>Singurul spa\u021biu \u00een care cititorul ar trebui s\u0103 caute \u0219i s\u0103-l g\u0103seasc\u0103 pe autor e opera acestuia.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.oanagrecea.ro\/wp-content\/uploads\/2022\/09\/03E1C62E-17A8-43B7-9BD0-1FC7418FE9A9.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-8347\" src=\"https:\/\/www.oanagrecea.ro\/wp-content\/uploads\/2022\/09\/03E1C62E-17A8-43B7-9BD0-1FC7418FE9A9.jpg\" alt=\"\"><\/a>&nbsp; &nbsp; &nbsp;<a href=\"https:\/\/www.oanagrecea.ro\/wp-content\/uploads\/2022\/09\/11BBEF3D-CFA9-49C5-ACFE-23A51B3DB257.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-8348\" src=\"https:\/\/www.oanagrecea.ro\/wp-content\/uploads\/2022\/09\/11BBEF3D-CFA9-49C5-ACFE-23A51B3DB257.jpg\" alt=\"\"><\/a><\/p>\n<h3>\u00centreb\u0103ri incomode \u0219i cum le-a f\u0103cut fa\u021b\u0103 Elena Ferrante<\/h3>\n<ul>\n<li>\u201d- De obicei, \u00eencepi prin a descrie, \u00een linii mari, persoana pe care o intervievezi \u0219i mediul \u00eenconjur\u0103tor. Dat\u0103 fiind situa\u021bia, a\u021bi putea s-o face\u021bi dumneavoastr\u0103, Elena?<\/li>\n<li>Ferrante: Nu pot, nu m\u0103 simt \u00een stare\u201d.<\/li>\n<li>\u201d- Folosi\u021bi un pseudonim nu doar ca s\u0103 v\u0103 ap\u0103ra\u021bi pe dumneavoastr\u0103, ci \u0219i o comunitate napolitan\u0103 care a existat \u00een mod real, din care v\u0103 inspira\u021bi. E corect\u0103 o asemenea supozi\u021bie?<\/li>\n<li>Da, e unul din factorii care m-au motivat\u201d.<\/li>\n<li>\u201d- Ave\u021bi un loc de munc\u0103, \u00een afar\u0103 de scris?<\/li>\n<li>Studiez, traduc, predau\u201d.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>Despre procesul crea\u021biei \u0219i scrierii c\u0103r\u021bilor \u2013 <a href=\"https:\/\/serialreaders.com\/blog\/cum-scrie-si-creeaza-elena-ferrante-autoarea-tetralogiei-napolitane\/?fbclid=IwAR2jvIJwCE1JHOiWGQLs9jsqvz4Tark_F_78Rx7ZVxHPOFySJmwu6x4aL5A\" target=\"_blank\" rel=\"noopener noreferrer\">aici (Serial Readers)<\/a>.<\/strong><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Dup\u0103 citirea c\u0103r\u021bii de coresponden\u021be \u201dliterare\u201d- \u201dFrantumaglia \u2013 Via\u021ba \u0219i scrisul meu\u201d, editura Pandora M, Elena Ferante este \u00eenc\u0103 o necunoscut\u0103 pentru cititorii s\u0103i. De\u0219i dezv\u0103luie c\u00e2te ceva despre ea, nu spune tot. Este un autor care dore\u0219te s\u0103 aib\u0103 succes datorit\u0103 c\u0103r\u021bilor sale \u0219i nu datorit\u0103 personalit\u0103\u021bii sale.<\/p>","protected":false},"author":3,"featured_media":21496,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[931],"tags":[1337,242,870,1265],"class_list":["post-21489","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books-recenzii-carti-povesti","tag-analiza","tag-carte","tag-elena-ferrante","tag-literatura"],"_links":{"self":[{"href":"https:\/\/www.oanagrecea.ro\/en\/wp-json\/wp\/v2\/posts\/21489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.oanagrecea.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.oanagrecea.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.oanagrecea.ro\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.oanagrecea.ro\/en\/wp-json\/wp\/v2\/comments?post=21489"}],"version-history":[{"count":5,"href":"https:\/\/www.oanagrecea.ro\/en\/wp-json\/wp\/v2\/posts\/21489\/revisions"}],"predecessor-version":[{"id":25481,"href":"https:\/\/www.oanagrecea.ro\/en\/wp-json\/wp\/v2\/posts\/21489\/revisions\/25481"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.oanagrecea.ro\/en\/wp-json\/wp\/v2\/media\/21496"}],"wp:attachment":[{"href":"https:\/\/www.oanagrecea.ro\/en\/wp-json\/wp\/v2\/media?parent=21489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.oanagrecea.ro\/en\/wp-json\/wp\/v2\/categories?post=21489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.oanagrecea.ro\/en\/wp-json\/wp\/v2\/tags?post=21489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}